Showing posts with label Patterns/Tutorials. Show all posts
Showing posts with label Patterns/Tutorials. Show all posts

August 23, 2010

DIY Framing Tutorial

Eventually, I hope to post it to the HandmadeMN blog, but in the mean time...


This tutorial brought to you by Theresa B of Egret Effects.


Nothing makes your house feel more like a home than seeing your favorite photos and artwork on your walls. I'll admit there was a time I used that sticky blue gum to hang things (namely, magazine cutouts circa my high school days), but a couple years as a custom framer has taught me that preserving and displaying your art can be, well, an art.

The thought of custom framing summons visions of dollar signs for many of us, and there's a good reason for that. Anything *custom* has a price tag that reflects the fact that it can't be used for anything but the one special thing for which it was made. A custom frame is well-built, the materials are suited for preserving whatever's going in it, and there's a surprising amount of ingenuity a framer must possess to design and fit together a finished piece.

That said, you're not going to have everything in your home custom framed unless you are, perhaps, Oprah Winfrey. Using my prized inaugural season home-opener Twins ticket, here are some pointers for framing at home.

The Frame
Buy a frame that's roughly proportional to your art. My ticket is about the size of a dollar bill. This frame is nicely wrapped so I'm pretty sure it's in good shape, and I can tell that the "writing" on the glass is just a decal.


When I get home, I open the frame and inspect it. Any work on the frame should be done while it's totally disassembled to prevent potential damage to the artwork. Attach the hanging hardware if necessary. Nicks in the frame can often be touched up with a marker - but test the color on the back of the frame first! Marks on the mat can often just be erased.

The Mounting
This is usually where some finagling has to take place. My *simple* project has three little problems: the backing is destroyed from pulling the mat off of it, the mat opening is not the right size, and the ticket is not flat.


Problem one is an easy fix. I cut a piece of black scrapbooking paper to the size of the frame for a new, preservation-friendly backing.

Problem two is more complicated. Skipping the mat altogether would be simple, but then a new problem would arise - the ticket would press against the glass. Any amount of moisture in there will wick right to the ticket and ruin it. So I can either have a mat custom cut (which might be $10-$20 for something small like this), or I can cut it myself.


Never try to cut a mat unless you have a mat cutter. Using a utility knife or an Exacto will not be pretty. Mat cutters are at least $50, but if you plan on doing this more than two or three times it's a good investment. They all work a little differently, so follow the directions closely and do some practice mats. Mat blanks (pieces that have no opening) can be purchased at most craft stores for a few dollars. In this case, I'm just going to cut the existing mat. And here is the most important fact about framing: You know how they say to measure twice and cut once? Well, they do. And they mean it. In the words of Professor Farnsworth, "I'm afraid we'll need to use...math!"


I want 3/8 of an inch of the black backing to show on each side of the ticket, so I add that to the ticket length and width to figure the mat opening, and then subtract those numbers from the size of the frame to determine the mat width. If I didn't want any of the backing to show, I would have to get a new mat blank and make the opening small enough to cover 1/8 inch of the art on each side to account for uneven edges or unsquare mat cuts.

Problem three can be solved simply by cutting strips of scrap matting 1/4 inch narrower than the mat and sticking them to the underside, lined up with the outside edge. This is called a raised mat, and it will prevent wavy or otherwise irregular artwork from touching the glass.


Now I can stick the raised mat to the backing, hold the ticket in position, and mount it to the backing with photo corners. Photo corners are essentially little pockets with sticky undersides. The ticket's four corners fit into the pockets, and the adhesive needs only to stick to the backing. The less adhesive on your artwork, the better the preservation. If the mat were overlapping the ticket, I would "hang" the ticket on two pieces of acid-free tape - one at each of the top corners.


Preservation-wise, the only thing missing from my project is UV-protective glass. You can have glass cut to the appropriate size with the cost depending on the grade of protection.

The Specs
As a framer, I've seen designs like this sell for anywhere between $50 and $300. That is money well-spent for a piece of art you want to take care of in the best possible ways. I sacrificed the wide selection of frame styles and mat colors, a few preservation techniques, and a little of my time - but I dropped less than $5 on this project. And then there's the price of the ticket...

July 23, 2010

June 25, 2010

Embossing tutorial

I recently wrote a tutorial for the HandmadeMN blog and thought I'd re-post it here. Look out for a tutorial on chalk pastels coming soon!


A Drink from the Well: Embossing
This tutorial brought to you by Theresa B of Egret Effects

What You’ll Need:
Paper; scraps are fine
“Happy Birthday” stamp
Watermark stamp pad (this is basically a clear-ink pad)
Copper embossing powder (or color of your choice)
Heat tool
Cutting board (to place the hot heat tool on)
Window cleaner and cloth rag (to clean your stamp)





Step 1: Set yourself up
Place the paper on which you’re embossing over a larger scrap of paper. Open your embossing powder and stamp pad. Have your heat tool and stamp at the ready.


Step 2: Stamp and powder
Apply the watermark ink to your stamp and stamp your paper. By moving the paper to reflect the light, you should be able to see your stamp and confirm that it’s a good one – all parts of the stamp made an impression and there are no extra marks.

Watermark ink doesn’t dry as fast as other inks, so while you don’t need to rush, you should sprinkle the embossing powder on as soon as you’ve verified the quality of the stamp. You don’t need much; just a light covering.


Step 3: Swirl, tap, and tidy
The embossing powder will stick to anything wet on your paper. Swirl it around gently so that it touches every area of your stamp; you’ll be able to see the message emerging. Once you’re sure the stamp is covered, tap the remaining loose powder onto the larger scrap paper. The powder on your stamp is secure enough to withstand a small breeze, but can still be smeared. Being careful not to touch the stamped area, set your powdered message aside and fold the paper with the loose powder in half so you can dump it back into the powder jar.

Before going any further, close your embossing powder jar. Heat tools not only get hot, they blow that hot air onto your project, and it would be pretty maddening if colored powder flew all over your desk/room/carpet – you get the idea. You might as well also eliminate loose papers hanging around. Speaking of which, if the paper you’re embossing on is small (say, smaller than 4x6) it might very well blow away, too. Use a needle-nosed pliers or other such instrument to secure the paper and keep your digits from burning.


Step 4: Heat and cool
If you don’t have a heat tool and don’t want to buy one, a hair dryer or toaster can substitute. Whatever you use, it’s a good idea to consider your first embossed stamp as a test. It’s common to see some paper warpage. Of course, if you heat the paper for too long it can get singed and discolored. We are dealing with a flammable product, so be careful!

That said, embossing is not hard. Just hold your heat tool about two or three inches up and directly over (or under, if using a toaster) the powdered stamp, moving back and forth slightly for about five to ten seconds. Embossing powder is basically tiny beads of plastic that, under the heat, melt together and grip the paper fibers. You’ll be able to see it happen right before your eyes! It only takes a few moments for the paper and newly-melted powder to cool; don’t touch it while still hot or you can smear the embossing (plus, no one wants melted plastic on their skin). Once cool, however, you have a durable, lovely embellishment to add texture to whatever special project you can come up with!



The finished product for this embellishment:


Embossing powder comes in all kinds of colors. Metalics are especially versatile; they show up nicely on most papers and can be paired with just about any color scheme.

For another look, use a colored ink pad with sparkly or “holographic” embossing powder, like this:


For a finished product of:


Happy embossing!

April 28, 2009

A looooooong time coming

Woo hoo! I finally finished this gift of play food for our friend's two-year-old. I've been feeling guilty because I met them right after Seb was born, and I never had a chance to make him my usual bear. So maybe he's a little young for play food yet, but it was fun to do something different. Plus, I can continue to make food from the same skeins because each piece takes so little yarn. Yay efficiency! The canvas tote was probably the most expensive thing at a couple bucks, and instead of buying a fabric marker or fabric paint I just used a Sharpie. Hopefully it won't bleed if they wash it and he can use it to help at the grocery store.


Included in my play food set is:
An ice cream cone
A strawberry
A carrot
A pea pod
A cupcake
A lemon and lime
An apple
A banana
A ham sandwich
A pretzel

Thanks to all the designers of these patterns! The ham sandwich and pretzel I just made up. The pretzel is just some brown in i-cord twisted and tacked with a few stitches.

Making play food is an awesome way to feel productive - you can get a result in just a few hours. I pretty much ignored the yarn used in the patterns and just bought a bunch of colors in the same weight - then used size six needles for all. I also modified some of the patterns a little - because I'm just like that. The yarn is all acrylic so they can be tossed in the washer when enough child drool has crusted them over, but I think a fruit basket made with some nicer cotton or bamboo or silk yarns would make a nice table centerpiece.

March 26, 2009

Knitted Stem Rose

This knit flower may not be the color of any actual flowers in existence. Oh, well.



Stem Rose
by Egret Effects (Theresa B)

FINISHED MEASUREMENTS
Height: 11.5”
Width: 3-4”

MATERIALS
[C1] Lion Brand Wool (100% wool; 85 g/158 yds). Color 178 Dark Teal; GAUGE
Doesn’t matter!

PATTERN
Large Petal (make 3)
Using straight needles and [C1], cast on 24 sts.

Using this key…
A = Purl
B = K1, ssk, knit to last 3 sts, ssk, k1
C = (K1, ssk) twice, knit to last 6 sts, (ssk, k1) twice

work rows as follows:
A
B
A
C
A
B
A
C
A
B
A
B
A
B
A
Bind off all.

Medium Petal (make 2)
Using straight needles and [C1], cast on 16 sts.

Using the same key as for the large petals, work rows as follows:
A
B
A
C
A
B
A
B
A
Bind off all.


Small Petal (make 2)
Using straight needles and [C1], cast on 2 sts.

Using this key…
A = Knit
B = Kfb all
C = K1, kfb, knit to last 2 sts, kfb, k1
D = K1, ssk, knit to last 3 sts, ssk, k1

work rows as follows:
A
B
A
C
A
C
A
D
A
D
A
Bind off all.


Stem
Using DPNs and [C2], cast on 5 sts.

Work I-cord for 40-50 rows, depending on how long you want the stem (pictured is 50 rows; about 8”).

Still working in I-cord fashion…
- K1, kfb, k3
- K3, kfb, k2
- K5, kfb, k1

Turn work and purl
Turn work and k1, kfb, k4, kfb, k1
Turn work and purl
Turn work and bind off all.

Now pick up 3 sts on the open side of the base of your I-cord increases and work rows as follows:
Purl
K1, kfb, k1
Purl
K1, kfb, kfb, k1
Purl
K1, kfb, k2, kfb, k1
Purl
Bind off all.

Make the stamen using [C3]. Pick up 4 sts at the base of the inside of one of the flaps and knit I-cord for 5 rows.
Bind off all.

FINISHING
Sew the petals onto the base of the stamen one at a time, starting with the small petals. Unless you want the flower to be wide open, make a few stitches higher up to attach the petals to each other. Make sure to leave a small opening at the top of the stem to put in your pipe cleaners or wire.

Felt the whole flower. If you felt things really small and tight, you might want to feed the wire into the stem beforehand. Otherwise, feed it in afterwards.

Clip the wire a bit longer than the stem is and stuff the top end up into the flower or stamen to add support.

Sew the green flaps to the base of the flower to cover the wire and opening. Put a rubber band around the petals until they're dry.

If your wire or pipe cleaners aren’t strong enough to hold up the heavy flower, you can add a decorative wire around the outside of the stem, as pictured. Any bead store should carry memory wire that is really thick and holds its shape. The pictured flower has memory wire made for a choker that has been wound around a stem-sized tube to re-shape it (it’s hard, wear gloves!). You could add beads to it if you like some sparkle, or you could wind real or silk leaves into it if you like something more organic looking.


CLARIFICATION
Danielle asks:
Hi there, firstly thanks for the great pattern. Im right in the middle of making my first flower and im stuck... could you please explain to me exactly where i should pick up the stitches for the top of the stem. I'm new to picking up stitches so i apologise if im being an idiot!

You are most certainly not an idiot...the problem is more likely that I am not a pattern writer. I should've taken pictures of the work as I was going, but since I didn't, I have tried to answer your question via illustration. I'm so sorry. The "V" marks are supposed to be knit stitches and the flatish "U" shapes are purl ridges. Don't pay any attention to how many marks there are - it is no indication of how many stitches there should be. You can click to enlarge it. I hope it helps!

March 10, 2009

Lightly felted bag pattern

Good for holding some fruit or a few skeins of yarn. Would also make a fun little purse for a kid.


This is my creatively-named first stuffed animal: Spotsie.

Lightly Felted Bowl with Handles
by Egret Effects (Theresa B)

FINISHED MEASUREMENTS
Height: 7.5”
Width: 8.5”

MATERIALS
[C1] Heilo Dalegarn (100% wool; 100m per 50g skein); Color 7081: dark green; 1 skein
[C2] Heilo Dalegarn (100% wool; 100m per 50g skein); Color 3841: dark oatmeal; 1 skein
[C3] Heilo Dalegarn (100% wool; 100m per 50g skein); Color 2931: light oatmeal; 1 skein

1 set US #6 double-point needles
1 12” US #6 circular needle
10 stitch markers or small rubber bands
1 yarn needle
2 buttons

GAUGE
22 sts/28 rows = 4” in stockinette st before felting, but it doesn’t really matter.

PATTERN
With two DPN and [C1], CO 5 sts. Distribute sts between three DPN.

Rnd 1: Join and kfb all (10 sts).
Rnd 2: (Kfb, place marker) 10 times (20 sts).
Rnd 3: Knit.
Rnd 4: (Kfb, k to marker, slip marker) 10 times (30 sts).
Rnd 5: Knit.
Rnds 6-23: Repeat the sequence of rnds 4 and 5 a total of nine times (120 sts), and switch to the circular needle when necessary.
Rnd 24: Knit a rnd with a ssk stitch after the 1st, 3rd, 5th, 7th, and 9th markers (115 sts).
Rnd 25: Purl.
Rnd 26: Knit a rnd with a ssk stitch after the 2nd, 4th, 6th, 8th, and 10th markers (110 sts).
Rnds 27-31: Knit. At the end of rnd 31, switch to [C2].
Rnds 32-36: Knit.
Rnd 37: Knit a rnd with a ssk stitch after the 1st, 4th, and 7th markers (107 sts).
Rnd 38: Knit.
Rnd 39: Knit a rnd with a ssk stitch after the 2nd, 5th, and 8th markers (104 sts).
Rnd 40: Knit.
Rnd 41: Knit a rnd with a ssk stitch after the 3rd, 6th, and 9th markers (101 sts).
Rnds 42-44: Knit.
Rnd 45: Knit a rnd with a kfb stitch after the 1st, 4th, and 7th markers (104 sts).
Rnd 46: Knit.
Rnd 47: Knit a rnd with a kfb stitch after the 2nd, 5th, and 8th markers (107 sts).
Rnd 48: Knit.
Rnd 49: Knit a rnd with a kfb stitch after the 3rd, 6th, and 9th markers (110 sts).
Rnds 50-59: Knit, removing markers except for the one noting the beginning of the rnd. At the end of rnd 59, switch to [C3].
Rnds 60-64: Knit, placing markers after the 15th, 55th, and 70th sts.
Rnd 65: BO sts between the 1st and 2nd markers, knit to next marker, BO sts between 3rd and 4th markers, knit to end.
Rnd 66: CO 14 sts to right hand needle, knit to 3rd marker, CO 14 to right hand needle again, knit to end.
Rnds 67-71: Knit, removing markers.
Rnd 72: Loosely BO all sts.

FINISHING
Use [C1] to wind a binding around each of the handle openings.

Fold the top of each handle into a diamond shape and fasten with [C3]. Thread strands of a scrap yarn that won’t felt through the fastened sections so you’ll be left with two holes in each after felting.

Weave in all ends except the scrap pieces, which will provide space to sew on the buttons.

Felt the bag using whatever method works best for you. I did it by hand with a tub of hot water and a tub of cold water. Allow to dry in the shape you want it – mine fit perfectly around my small tea kettle.

Sew on the buttons and you’re done!

February 3, 2009

Knitted Owl Pattern!


Well folks, I finally heard back from Knitty, where I submitted my pattern for this knitted owl. I did not make it into their Spring issue :( but that means now I can post the pattern here with some pictures! It's kind of a long pattern, but that's because I'm long-winded and not yet very efficient at writing patterns, so don't be discouraged.


Asma Owl
by Egret Effects

FINISHED MEASUREMENTS
Height: 6 inches
Width: 4.5 inches (not including wings)
Body Circumference: 13.25 inches

MATERIALS
[MC] Main Color: TLC Heathers [100% Acrylic; 260 yd per 140g skein]; Color 2443: Nutmeg; 1 skein
[CC1] Contrast Color 1: Bernat Satin [100% Acrylic; 166 yd per 100g skein]; Color 4040: Ebony; 1 skein
[CC2] Contrast Color 2: Bernat Satin [100% Acrylic; 166 yd per 100g skein]; Color 3005: White; 1 skein (I used a Monique yarn, which came from a shop that’s now closed, but this will work equally well)
[CC3] Contrast Color 3: Lion Brand Homespun [98% Acrylic/2% Polyester; 185 yd per 170g skein]; Color 311: Rococo; 1 skein
[CC4] Contrast Color 4: Bernat Satin [100% Acrylic; 166 yd per 100g skein]; Color 4011: Sable; 1 skein
[CC5] Contrast Color 5: Lion Brand Wool [100% Wool; 158 yd per 85g skein]; Color 820-133: Pumpkin; 1 skein (I used a scrap piece of worsted weight wool that a friend gave me without the label; the Lion Brand color will come out a little darker, or you can substitute another worsted weight wool if you like the brightness)

1 set US #6 double-point needles
1 set US #6 straight needles
1 yarn needle
Fiberfill
Two safety pins

GAUGE
19 sts/28 rows = 4" in stockinette stitch, but it doesn’t really matter.

PATTERN NOTES
This pattern is really pretty easy. The eyes are the hardest part, but if you concentrate on keeping your needles and strands of yarn organized, you’ll be fine! I would suggest using boots or rubber bands for the double-pointed needles when you begin knitting in the round for the eyes so the needles don’t slip out of the stitches – and color-code them to help keep track of where each needle belongs. Finishing is easy in this pattern because you’ll do a little at a time for each part, so it comes together quick! You’ll notice that the yarns are of different weights but you will always use the same size needles, so don’t be surprised that some yarns are tighter to knit with and produce thicker pieces.

PATTERN
BODY/HEAD
Using two of the double-pointed needles and [MC], CO 10 sts.
Work in stockinette stitch for 8 rows, ending on a WS row.
CO an additional 28 sts to the front of the 9th row and knit that row.
Redistribute the stitches on three double-pointed needles, marking the beginning of the round.
Rnd 1: Knit (38 sts)
Rnd 2: K2, kfb, k2, kfb, k16, kfb, k2, kfb, k12 (42 sts)
Rnds 3-4: Knit
Rnd 5: K3, kfb, k2, kfb, k18, kfb, k2, kfb, k13 (46 sts)
Rnds 6-10: Knit
Rnd 11: K4, kfb, k1, kfb, k22, kfb, k1, kfb, k14 (50 sts)
Rnds 12-16: Knit
Rnd 17: K4, ssk, k1, k2tog, k22, ssk, k1, k2tog, k14 (46 sts)
Rnds 18-24: Knit
Rnd 25: K3, ssk, k2, k2tog, k18, ssk, k2, k2tog, k13 (42 sts)
Rnd 26: K2, ssk, k2, k2tog, k16, ssk, k2, k2tog, k12 (38 sts)
Rnd 27: Knit
Rnd 28: K2, kfb, k2, kfb, k16, kfb, k2, kfb, k12 (42 sts)
Rnd 29: Knit
Rnd 30: K3, kfb, k2, kfb, k18, kfb, k2, kfb, k13 (46 sts)
Rnd 31: Knit
Rnd 32: K4, kfb, k1, kfb, k22, kfb, k1, kfb, k14 (50 sts)
Rnds 33-39: Knit
Rnd 40: K4, ssk, k1, k2tog, k22, ssk, k1, k2tog, k14 (46 sts)
Rnds 41-45: Knit
Rnd 46: K3, ssk, k2, k2tog, k18, ssk, k2, k2tog, k13 (42 sts)
Rnd 47: Knit
Rnd 48: K2, ssk, k2, k2tog, k16, ssk, k2, k2tog, k12 (38 sts)
Rnd 49: K3, ssk, k18, k2tog, k13 (36 sts)
Rnd 50: *Ssk, k4, ssk, k3, **transfer last st worked to left needle and pass the second st on the left needle over; return transferred st back to right needle,** k5, repeat from ** to ** once more and then repeat entire sequence from * (28 sts)
Redistribute sts onto two of the double-pointed needles; 14 sts on the front side, and 14 sts on the backside.
Break yarn and use kitchener st to sew across top. Weave in end.
Use a scrap of [MC] at each corner of the seem to make the “ears.” Thread the scrap through just one strand, tie in a square knot, weave in one end, and trim the other to about 1/2 inch. Pull apart each ply to make a feathery look.

* The front of the owl is the side without the flap at the bottom.

EYES (make 2)
Using two of the double-pointed needles and [CC1], CO 3 sts.
Work I-cord for 3 rows.
Break yarn and join with [CC2].
Redistribute sts on three double-pointed needles (1 st on each needle).
Rnd 1: Knit
Rnd 2: Kfb all sts (6 sts)
Rnd 3: Knit
Rnd 4: Kfb all sts (12 sts)
Rnd 5: Knit
Rnd 6: Kfb all sts (24 sts)
Rnd 7: Knit
Rnd 8: Kfb across the first two needles, then BO the third needle, transferring the last stitch worked back to the left needle
Rnd 9: Knit across the two remaining needles, turn and BO all sts using very loose P sts
Bring all ends to the back side of the eyes and secure by tying together (as you pull the CO strand through it will bunch the I-cord, making a nice little ball for the pupil). Weave in ends.
Using [CC2], sew the eyes onto the head just around the pupils. You should position them with the short sides together and the ridges opposite each other. Lay them quite close together so that the ridges sort of overlap the other eye because they will spread apart after the owl is stuffed. Weave in ends.

WINGS
Outer wing (make 2)
Using straight needles and [MC], CO 4 sts.
Row 1: Knit
Row 2: Purl
Row 3: K1, kfb, kfb, k1 (6 sts)
Row 4: Purl
Row 5: Knit
Row 6: Purl
Row 7: Knit
Row 8: Purl
Row 9: Knit
Row 10: Purl
Row 11: K1, ssk, k2tog, k1 (4 sts)
Row 12: Purl
Row 13: K1, ssk, k1 (3 sts)
Row 14: Purl
Row 15: Ssk, k1 (2 sts)
Break yarn; weave end through sts and into WS of piece.

Inner wing (make 2)
Using straight needles and [CC3], CO 4 sts.
Row 1: Knit
Row 2: Purl
Row 3: K1, ssk, k1 (3 sts)
Row 4: Purl
Row 5: Knit
Row 6: Purl
Row 7: Ssk, k1 (2 sts)
Break yarn; weave end through sts and into WS of piece. Lay the inner wings inside the outer wings with WS facing each other and sew together using [MC]. The inner wings won’t be as long as the outer wings, so line them up near the tips, not the base.
Using [MC], sew one wing onto the body just below the narrowest part of the neck. Follow a row of knitting around to the other side and sew on the other wing. Weave in all ends.

BELLY
Using straight needles and [CC3], CO 10 sts.
Row 1: Knit
Row 2: Purl
Row 3: Knit
Row 4: Purl
Row 5: Knit
Row 6: Purl
Row 7: K2, ssk, k2, k2tog, k2 (8 sts)
Row 8: Purl
Row 9: K2, ssk, k2tog, k2 (6 sts)
Row 10: Purl
Row 11: K1, ssk, k2tog, k1 (4 sts)
Row 12: Purl
Row 13: Ssk, k2tog (2 sts)
Row 14: Purl
Row 15: Ssk (1 st)
Break yarn; weave end through the st and then into WS of piece. With RS visible, sew the belly onto the body a few rows above the very bottom. Weave in ends.

TAIL/BEAK
Using straight needles, the tail is made with [MC], and the beak is a double strand made from [CC4] and [CC5].
CO 6 sts.
Row 1: Knit
Row 2: Purl
Row 3: K1, ssk, k2tog, k1 (4 sts)
Row 4: Purl
Row 5: K1, ssk, k1 (3 sts)
Row 6: Purl
Row 7: Ssk, k1 (2 sts)
Break yarn; weave end through sts and into WS of piece. Using [MC], sew the tail onto the back of the body. Using the double strand, sew the beak onto the face just below the eyes and in a slightly curved shape so it's kind of a semi-cone. Weave in ends.

FEET (make 2)
Using straight needles and a double strand made from [CC4] and [CC5], CO 2 sts.
Row 1: Kfb both sts (4 sts)
Row 2: Purl
Row 3: Kfb all sts (8 sts)
Row 4: Purl
Row 5: BO
Set aside until you’ve stuffed and closed the bottom of the owl.

FINISHING
When stuffing, make sure you get enough fiberfill into Asma’s body so it’s slightly wider than her head.
Use safety pins to attach the corners of the bottom flap to points in the opening across so that the flap will be sewn straight (there is more opening area than flap area). Using a strand of [MC], stitch the bottom flap along the opening. The flat flap should serve to keep Asma upright. Remove the pins and weave in the ends.
Using a strand of [MC], sew smaller ends of feet onto the body where they'll stick out straight – just below and on either side of the bottom of the belly. Weave in ends.

Yay!

January 27, 2009

Last minute bulky winter set!

Winter will be over soon, but it's not too late to make winter-wear! I wanted to make a bulky winter item like a hat, but then had a hard time finding patterns for matching mittens and a scarf that used the same yarn. So here are the patterns for a super easy and fast winter set.

Materials
One skein each of Lion Brand Wool-Ease Thick & Quick colors: Claret (A), Denim (B), Wheat (C), Grass (D), and Spice (E)

DPN size 10.5
DPN size 13
DPN size 15 (or size 15 circular needle with 5” cord)
Tapestry needle
One stitch holder
One stitch marker or safety pin

Mittens (make 2)
Fits woman with a small wrist [average wrist]. Finished width of hand is 4”, and finished height (with cuff) is 9 1/2” (without cuff is 8”). Finished thumb is 2 1/2” at shortest edge. If your hand measures longer or shorter, simply add or subtract 1-3 rnds from the hand/thumb sections.

Wrist
With A and DPN size 10.5 needle, CO 16 [20] sts and distribute across three needles.
Placing a stitch marker to indicate the beginning of the round, join and knit 2, purl 2 rib for 6 rounds.
Switch to B and knit the following sequence twice:
Rnd 1: Knit to last 2 sts, kfb, k1
Rnd 2: Repeat rnd 1
Rnd 3: Knit
Switch to C and complete the directions for 1 of the starred options below.
*For small wrist only: knit the sequence 3 more times. Then work Rnds1 and 2 once more.
*For average wrist only: knit the sequence 1 more time. Then work as follows:
Rnds 1,2,4,5,7,and 8: Knit.
Rnds 3 and 6: Knit to last 2 sts, kfb, k1

Hand
Knit to last 6 sts and slip those last 6 sts to a holder.
CO 3 sts to right needle, and making sure your stitch marker is at the beginning of the rnd, join and knit 4 rnds.
Switch to D and knit 11 more rnds.
Switch to E and begin decreasing as follows:
Rnd 1: (K4, ssk) 4 times, k1
Rnd 2: Knit
Rnd 3: (K3, ssk) 4 times, k1
Rnd 4: Knit
Rnd 5: (K2, ssk) 4 times, k1
Rnd 6: (K1, ssk) 4 times, k1
Rnd 7: Ssk 4 times, k1
Rnd 8: Ssk twice, k1
Break yarn and weave tail through remaining sts.

Thumb
Transfer the 6 held sts onto two needles. With a third needle and C, pick up 4 sts along hand edge. Placing a stitch marker to indicate the beginning of the rnd, join and knit 4 rnds.
Switch to D and knit 2 rnds.
Begin decreasing as follows:
Rnd 1: (K1, ssk) 3 times, k1
Rnds 2 and 3: Knit
Rnd 4: Ssk 3 times, k1
Break yarn and weave tail through remaining sts.
Weave in all ends.

Scarf
Finished length is 64”(without fringe), and finished width is 5”.

With A and DPN size 15, CO 24 sts.
Placing a stitch marker to indicate the beginning of rnd, join and knit all rnds. Switch colors at random to make various sizes of stripes. Or to recreate the pictured scarf, knit as follows:
A: 7 rnds
B: 14 rnds
C: 3 rnds
D: 20 rnds
E: 10 rnds
A: 3 rnds
B: 6 rnds
C: 16 rnds
D: 6 rnds
E: 3 rnds
A: 26 rnds
B: 9 rnds
C: 6 rnds
D: 3 rnds
E: 18 rnds
A: 7 rnds
B: 3 rnds
C: 14 rnds
D: 19 rnds
E: 3 rnds
A: 9 rnds
B: 4 rnds
BO all sts loosely and weave in all ends. Make fringe that cinches both ends of the tube if desired. Pictured scarf uses (for each end) two 12” lengths of each color. Fold the strands of each color in half, stuff the loops through sts in the first row of the scarf, feed the tails through the loop, and pull tight.

Hat
Follow the pattern on the Lion Brand website.

If you’re knitting for someone with a large head, add sts in multiples of 4 and remember to decrease the same number of extra sts at the top.

For the pictured hat, knit as follows:
A: All of rib section (20 rnds)
B: 4 rnds
C: 11 rnds
D: 6 rnds
E: 4 rnds

December 1, 2008

My first knitting pattern!

Woo hoo! So I wrote a pattern for a stuffed owl because I couldn't find one I liked. Also, I was bored. Luckily, it turned out well the first time. I've learned a lot of patience with knitting, but I still don't check the gauge or tear things out or redo things. It's terrible, I know, but I have a strong aversion to wasting time in certain areas of life. This is one of them. Applying to jobs is another. I realize the time I may spend redoing knitting or applying to jobs I will never get really isn't a waste, it's good practice and I know that. But unfortunately for me,I just can't get my stubborn heart to feel it.

So you don't see the pattern here because I've submitted it to Knitty for review for their Spring magazine. I think I'll hear in a couple of weeks. If it's not accepted, I'll post it here, but either way it'll be free to view when it goes live.